Description: This is a lithograph of an oil painting titled "Chippeway Squaw" published in volume one of "History of the Indian Tribes of North America" by Thomas Loraine McKenney and James Hall. This lithograph shows a Chippeway woman, or Ojibwe (alternate spellings include Chippewa and Ojibwa), carrying her baby on her back in a cradleboard. The term "squaw" is an English word borrowed from the Algonquian word for woman. However, "squaw" has historically been used in a diminutive manner or as a racial epithet for an American Indian woman. Today, and throughout its history of being used by non-native peoples, "squaw" is offensive for many American Indians. Thomas McKenny served as the United States Superintendent of Indian Trade in 1821 and commissioned portraits of American Indian leaders who visited Washington D.C. to negotiate treaties with the United States federal government in order to to preserve the memory and history of America's native peoples. After the paintings were completed, he commissioned lithographs of the 300 paintings and compiled them into three volumes of "History of the Indian Tribes of North America" where a short biography accompanied each portrait. The paintings were housed at the Smithsonian Institution Building, commonly referred to as the Castle, and in 1868 all but five were destroyed in a devastating fire. View on Ohio Memory.
Image ID: V970_97M199h_v1_p198_ChippewayWoman
Subjects: American Indian history; American Indians--Portraits; American Indian women; Ohio Women; Mothers and children
Places: Washington D.C.
 

Description: Portrait of an American Indian with the inscription, "Bah Born Ba-Dah," ca. 1880-1889. He is seated, wrapped in a blanket and appears to be smoking a pipe. View on Ohio Memory.
Image ID: AL03832
Subjects: American Indians--Portraits; American Indian history and society
 

Description: Photograph of an American Indian woman identified as Dove Wing, ca. 1880-1889. She holds a rifle propped on her left shoulder and stands against an illustrated backdrop. View on Ohio Memory.
Image ID: AL03837
Subjects: American Indian women; American Indians--Portraits; American Indian history and society
 

Description: This is a lithograph of an oil painting of Shawnee leader Ca-Ta-He-Cas-Sa, or Black Hoof, published in "History of the Indian Tribes of North America" by Thomas Loraine McKenney and James Hall. Little is known about Black Hoof's early years. Allied with the French, he was present at the defeat of Edward Braddock during the French and Indian War. He did fight at the Battle of Fallen Timbers and represented the Shawnee at the signing of the Treaty of Greenville. After this, Black Hoof became convinced that the Indians had no hope against the whites except to adopt their customs. Using his influence with the Shawnee, Black Hoof encouraged the Shawnee to adopt the whites' way of living. By 1808, his followers established farms at Wapakoneta. Conflicts between the Shawnee and settlers continued. In 1826, Black Hoof led several hundred Shawnee people to the Kansas territory. After leading his followers to Kansas, Black Hoof returned to Wapakoneta and died there in 1831. Thomas Loraine McKenney (1785–1859) served as the U.S. Superintendent of Indian trade from 1816–1822 and superintendent of Indian affairs from 1824-1830. James Hall (1793–1868) was a lawyer, writer, and editor who lived in Cincinnati, Ohio from 1833 until his death in 1868. Their book was illustrated with portraits from the Indian gallery in the Department of War in Washington, D.C. View on Ohio Memory.
Image ID: AL02908
Subjects: American Indian history; American Indians--Portraits; American Indian tribal leaders; Iroquois Confederacy; American Revolutionary War (1775-1783)
Places: Washington D.C.
 

Description: This is a lithograph of an oil painting of Shawnee leader Qua-Ta-Wa-Pea, commonly referred to as Colonel Lewis, published in "History of the Indian Tribes of North America" by Thomas Loraine McKenney and James Hall. Qua-Ta-Wa-Pea, whose name means "The man on the water who sinks and rises again," was born at Pickaway Plains, Ohio. He lived for many years near Wapakoneta, Ohio. McKenney and Hall say in their book that Colonel Lewis' rise to chief was entirely accidental. An American government official mistook Qua-Ta-Wa-Pea for the chief and his tribe followed suit, believing that was the wish of the government. Eventually, Colonel Lewis moved to land west of the Mississippi that was given to the Shawnee by the American government, and there he died in 1826. Thomas Loraine McKenney (1785–1859) served as the U.S. Superintendent of Indian trade from 1816–1822 and superintendent of Indian affairs from 1824-1830. James Hall (1793–1868) was a lawyer, writer, and editor who lived in Cincinnati, Ohio from 1833 until his death in 1868. Their book was illustrated with portraits from the Indian gallery in the Department of War in Washington, D.C. View on Ohio Memory.
Image ID: AL02909
Subjects: Shawnee Tribe; American Indian history; American Indians--Portraits; American Indian tribal leaders; American Revolutionary War (1775-1783)
Places: Washington D.C.
 

Description: Dated ca. 1935-1940, this is a photograph of a plaque which reads "Burial Place of Remains of Indian Martyrs. 1782--1798." In the nine-acre plot at Gnadenhutten, German for "Tents of Grace," is a stone monument commemorating the 96 Christian American Indians massacred in 1872 by white men. They are buried in the mound inside the park. After David Zeisberger had established Moravian missions for the Indians at Schoenbrunn, a group of Christian Indians led by Joshua, a Mohican elder, came in 1772 and founded Gnadenhutten. Surrounded by American Indian groups, a ring of British forts on the west, and freebooters in nearby settlements, the little community held on until 1781 when a white renegade, Elliott, and Delware (Lenape) chiefs, Captain Pipe and Half-King, forced the American Indians at Gnadenhutten to move to the Sandusky plains. The winter was severe and their meager supplies ran low. In February of the following year, a large group returned to the Tuscarawas valley to salvage what they could of the crops remaining in the fields. At the same time, a punitive expedition under Captain David Williamson left Pennsylvania for Gnadenhutten, arriving on March 7, the day before the American Indians were to return to Sandusky. Feigning friendship, the soldiers easily succeeded in disarming the men, and imprisoned them in one building, placing the women and children in another. The American Indians spend the night in prayer, while the militiamen got drunk. At dawn, the executions began. One soldier felled fourteen American Indians before he relinquished his tomahawk. Gnadenhutten was pillaged and burned. Two American Indian boys who had been scalped escaped to Schoenbrunn to warn their fellow Christians. This heinous massacre further aroused Ohio natives against the white Americans. This photograph is one of the many visual materials collected for use in the Ohio Guide. In 1935, President Franklin D. Roosevelt established the Works Progress Administration by executive order to create jobs for the large numbers of unemployed laborers, as well as artists, musicians, actors, and writers. The Federal Arts Program, a sector of the Works Progress Administration, included the Federal Writers’ Project, one of the primary goals of which was to complete the America Guide series, a series of guidebooks for each state which included state history, art, architecture, music, literature, and points of interest to the major cities and tours throughout the state. Work on the Ohio Guide began in 1935 with the publication of several pamphlets and brochures. The Reorganization Act of 1939 consolidated the Works Progress Administration and other agencies into the Federal Works Administration, and the Federal Writers’ Project became the Federal Writers’ Project in Ohio. The final product was published in 1940 and went through several editions. The Ohio Guide Collection consists of 4,769 photographs collected for use in Ohio Guide and other publications of the Federal Writers’ Project in Ohio from 1935-1939. View on Ohio Memory.
Image ID: SA1039AV_B15F01_021
Subjects: American Indians in Ohio; American Indian history; Tuscarawas County (Ohio); Gnadenhutten (Ohio); Gnadenhutten Massacre, Gnadenhutten, Ohio, 1782
Places: Gnadenhutten (Ohio); Tuscarawas (Ohio)
 

Description: This is a lithograph of an oil painting of Shawnee leader Tenskwatawa, or The Prophet, published in "History of the Indian Tribes of North America" by Thomas Loraine McKenney and James Hall. Tenskwatawa worked with his brother Tecumseh to unite American Indian tribes in the Northwest Territory to defend themselves against white settlers. The title across bottom of the page reads "Tens-Kwau-Ta-Waw." Thomas Loraine McKenney (1785–1859) served as the U.S. Superintendent of Indian trade from 1816–1822 and superintendent of Indian affairs from 1824-1830. James Hall (1793–1868) was a lawyer, writer, and editor who lived in Cincinnati, Ohio, from 1833 until his death in 1868. Their book was illustrated with portraits from the Indian Gallery in the Department of War in Washington, D.C. View on Ohio Memory.
Image ID: AL02992
Subjects: Shawnee Tribe; American Indian history; American Indians--Portraits; American Indian tribal leaders; American Revolutionary War (1775-1783)
Places: Washington (District of Columbia)
 

Description: This is a lithograph of an oil painting of Red Jacket, Chief of the Wolf Clan of the Seneca Tribe, published in volume one of "History of the Indian Tribes of North America" by Thomas Loraine McKenney and James Hall. Red Jacket, or Sagoyewatha, allied with the British and fought in the American Revolutionary War (1775-1783), and was nicknamed Red Jacket after the British honored him with an embroidered red jacket for his service. Red Jacket died in 1830. Thomas McKenny served as the United States Superintendent of Indian Trade in 1821 and commissioned portraits of American Indian leaders who visited Washington D.C. to negotiate treaties with the United States federal government in order to to preserve the memory and history of America's native peoples. After the paintings were completed, he commissioned lithographs of the 300 paintings and compiled them into three volumes of "History of the Indian Tribes of North America" where a short biography accompanied each portrait. The paintings were housed at the Smithsonian Institution Building, commonly referred to as the Castle, and in 1868 all but five were destroyed in a devastating fire. View on Ohio Memory.
Image ID: V970_97M199h_v1_p005_RedJacket
Subjects: Seneca Tribe; Iroquois Confederacy; American Indian history; American Indians--Portraits; American Indian tribal leaders; American Revolutionary War, 1775-1783
Places: Washington D.C.
 

Description: This is a lithograph of an oil painting of Kiontwogky, also called Cornplanter or John O'Bail III (alternate spellings include O'Beel or Abeel), chief of the Seneca Tribe, published in volume one of "History of the Indian Tribes of North America" by Thomas Loraine McKenney and James Hall. Around 1732, Cornplanter was born to a Gah-hon-no-nah, a Seneca woman, and Johannes Abeel Jr., a Dutch fur trader. Cornplanter fought in alliance with the British during the French and Indian War (1754-1763) and the Revolutionary War (1775-1783). He also served as a diplomat between the United States and American Indian nations after the Revolutionary War, participated in post-war negotiations, and signed the Treaty of Fort Stanwix in 1784. He replaced Red Jacket as chief in 1791. Thomas McKenny served as the United States Superintendent of Indian Trade in 1821 and commissioned portraits of American Indian leaders who visited Washington D.C. to negotiate treaties with the United States federal government in order to to preserve the memory and history of America's native peoples. After the paintings were completed, he commissioned lithographs of the 300 paintings and compiled them into three volumes of "History of the Indian Tribes of North America" where a short biography accompanied each portrait. The paintings were housed at the Smithsonian Institution Building, commonly referred to as the Castle, and in 1868 all but five were destroyed in a devastating fire. View on Ohio Memory.
Image ID: V970_97M199h_v1_p174_KiOnTwogKy
Subjects: Seneca Tribe; Iroquois Confederacy; American Indian history; American Indians--Portraits; American Indian tribal leaders; American Revolutionary War (1775-1783)
Places: Washington D.C.
 

Description: This is a lithograph of an oil painting of Lappawinsoe, chief of the Lenape (Delaware) Tribe, published in volume one of "History of the Indian Tribes of North America" by Thomas Loraine McKenney and James Hall. Lappawinsoe is most commonly known for his involvement in the Walking Purchase Agreement, a treaty agreement between the Lenape and Thomas Penn, son of Pennsylvania colony's founder William Penn, in which the Lenape were unfairly forced to relinquish 1,200,000 acres of their land in 1737. Thomas McKenny served as the United States Superintendent of Indian Trade in 1821 and commissioned portraits of American Indian leaders who visited Washington D.C. to negotiate treaties with the United States federal government in order to to preserve the memory and history of America's native peoples. After the paintings were completed, he commissioned lithographs of the 300 paintings and compiled them into three volumes of "History of the Indian Tribes of North America" where a short biography accompanied each portrait. The paintings were housed at the Smithsonian Institution Building, commonly referred to as the Castle, and in 1868 all but five were destroyed in a devastating fire. View on Ohio Memory.
Image ID: V970_97M199h_v1_p405_LapPaWinSoe
Subjects: Lenape (Delaware) Tribe; American Indian history; American Indians--Portraits; American Indians in Ohio; American Indian tribal leaders
Places: Washington D.C.
 

Description: This is a lithograph of an oil painting of Makataimeshekiakiak (or Makataimeshekiakiah), commonly referred to as Black Hawk, war chief of the Sauk Tribe, published in volume one of "History of the Indian Tribes of North America" by Thomas Loraine McKenney and James Hall. Black Hawk (1767-1838) earned his title of war chief for his military success in leading warriors in raids and battles. He fought as a British ally in the War of 1812, and in 1832 famously led a group of Sauks, Meskwakis, and Kickapoos across the Mississippi River into Illinois to resettle land that had been previously ceded to the United States, in what would be called Black Hawk's War, although it appears military confrontation may not have been his original intention. Thomas McKenny served as the United States Superintendent of Indian Trade in 1821 and commissioned portraits of American Indian leaders who visited Washington D.C. to negotiate treaties with the United States federal government in order to to preserve the memory and history of America's native peoples. After the paintings were completed, he commissioned lithographs of the 300 paintings and compiled them into three volumes of "History of the Indian Tribes of North America" where a short biography accompanied each portrait. The paintings were housed at the Smithsonian Institution Building, commonly referred to as the Castle, and in 1868 all but five were destroyed in a devastating fire. View on Ohio Memory.
Image ID: V970_97M199h_v2_p059_MaKaTaiMeSheKiaKiah
Subjects: Sauk Tribe; American Indian history; American Indians--Portraits; American Indian tribal leaders; War of 1812
Places: Washington D.C.
 

Description: This is a lithograph of an oil painting of Me Te A, chief of the Potawatomi Tribe, published in volume one of "History of the Indian Tribes of North America" by Thomas Loraine McKenney and James Hall. Me Te A's village was on the St. Joseph River near modern Cedarville, Indiana. Thomas McKenny served as the United States Superintendent of Indian Trade in 1821 and commissioned portraits of American Indian leaders who visited Washington D.C. to negotiate treaties with the United States federal government in order to to preserve the memory and history of America's native peoples. After the paintings were completed, he commissioned lithographs of the 300 paintings and compiled them into three volumes of "History of the Indian Tribes of North America" where a short biography accompanied each portrait. The paintings were housed at the Smithsonian Institution Building, commonly referred to as the Castle, and in 1868 all but five were destroyed in a devastating fire. View on Ohio Memory.
Image ID: V970_97M199h_v2_p207_MeTeA
Subjects: Potawatomi Tribe; American Indian history; American Indians--Portraits; American Indian tribal leaders
Places: Washington D.C.