Description: This photograph is of a print of facsimile bust drawing of Governor Arthur St. Clair (1734-1818) from life by Colonel Joseph Trumbull (first commissary general of the Continental Army during the American Revolutionary War.) In this portrait St. Clair is wearing a cocked hat with cockade. Printed at the bottom edge of the print is the caption “Fac Simile [sic] of a pencil drawing from life by Colo. Trumbull.” The name of Arthur St. Clair is handwritten in black ink underneath the caption. Also visible are the hand-printed names “J.B. Longacre” and “H.B. Hall.” Arthur St. Clair was a political and military leader in the Ohio country during the American Revolution and first years of the new nation. He was the first governor of the Northwest Territory and also served as governor of the Ohio Territory. St. Clair was born on March 23, 1736, in Scotland. Some sources list his birth year as 1734 or 1737. Little is known of his early years, and there still is some dispute over exactly who his parents were. He probably studied briefly at the University of Edinburgh and then left school to study anatomy with a man named William Hunter. By 1757, St. Clair had enlisted in the British army as an ensign and was serving in North America during the French and Indian War. During the American Revolutionary War, he rose to the rank of major general in the Continental Army but lost his command after a controversial retreat. Under the Northwest Ordinance of 1787, which created the Northwest Territory, General St. Clair was appointed governor of what is now Ohio, Indiana, Illinois, and Michigan, along with parts of Wisconsin and Minnesota. He named Cincinnati, Ohio, after the Society of the Cincinnati, and it was there that he established his home. When the territory was divided in 1800, he served as governor of the Ohio Territory. James B. Longacre was the fourth Chief Engraver of the United States Mint, a post he held from 1844 until his death in 1869. Before his appointment to that post, Longacre had established himself as one of the nation’s finest engravers, known for his elegant engravings based on portraits by other artists. He and James Herring collaborated on a four-volume work entitled “The National Portrait Gallery of Distinguished Americans. Conducted by James B. Longacre, Philadelphia; and James Herring, New York. Under the superintendance of the American Academy of the Fine Arts” (published between 1834-1839). As chief engraver of the U.S. Mint, he designed the Indian Head cent (1859 to 1909) in 1859); the Shield nickel (1866 to 1883); Flying Eagle cent (1856 to 1858), and other coins of the period. Henry Bryan Hall (1808-1884) was an English stipple engraver and portrait painter. Born in England, he came to the United States in 1850. He established the firm H.B. Hall & Sons, New York, which achieved great acclaim for its engravings and portraits of political and military leaders. View on Ohio Memory.
Image ID: AL05827
Subjects: Ohio History--Military Ohio; St. Clair, Arthur, 1736-1818--Portraits; American Revolutionary War, 1775-1783
 

Description: This photographic portrait of Black Bear, a chief of the Lakota people, shows him posing with a pipe and wearing a feather in his scalplock. His hair is braided in strips of cloth whose ends are draped over his right forearm. He is wearing a scarf or neckerchief tied at the front of his neck and held by a shell-like clasp. The words "Black Bear" are inscribed in ink along the bottom edge. The image is a cartes-de-visite (photograph affixed to card stock). According to an article in "Nebraska History," the magazine of the Nebraska Historical Society, the photographer who took this image likely was Daniel S. Mitchell. He left his studio and family in Boston and departed for the Black Hills area around 1874. He had a photography studio in Cheyenne, Wyoming Territory, from 1876 to 1877. He formed a partnership with another photographer, Joseph H. McGowan, 1877, that was supported by Gatchel & Hyatt, a firm in St. Louis, Missouri. (Gatchel & Hyatt also had branches in Louisville and in Cincinnati.) The two men worked as traveling photographers who set up a tent studio in towns along the Union Pacific Railroad route. In early fall 1877 Mitchell is believed to have traveled to the Red Cloud Agency in northwestern Nebraska and photographed portraits of Dakota and Arapahoe Indian chiefs. This portrait of Black Bear is included in that group. Mitchell, McGowan, & Co. settled in Omaha, Nebraska, in 1878, but the partnership dissolved in the fall of that year. The back of this card reads: "Mitchell & McGowan, Traveling Photographers. Headquarters, Gatchell & Hyatt, No. 11 South Fifth Street. St. Louis, Mo." A line written in pencil reads: " J. F. Bush 1882." The name "Black Bear" also is penciled on the the back. The Smithsonian Institution's National Anthropological Archives has a undated stereoscopic photograph titled "Twenty-four Portraits of Chiefs, Most in Partial Native Dress with Pipes." The photographic, which resembles a small portrait gallery, includes an image of Black Bear in a slightly different pose. View on Ohio Memory.
Image ID: AL05887
Subjects: American Indians--Portraits; Oglala Indians; United States. Office of Indian Affairs. Red Cloud Agency; Cartes-de-visite (card photographs)
 

Description: Portrait of Colonel Lewis, also known as Qua-Ta-Wa-Pea, a Shawnee chief, from "The Indian Tribes of North America, with Biographical Sketches and Anecdotes of the Principal Chiefs," by Thomas L. McKenney and James Hall, 1855. Qua-Ta-Wa-Pea, whose name means "The man on the water who sinks and rises again," was born at Pickaway Plains, Ohio. He lived for many years near Wapakoneta, Ohio. McKenney and Hall say in their book that Colonel Lewis' rise to chief was entirely accidental. An American government official mistook Qua-Ta-Wa-Pea for the chief and his tribe followed suit, believing that was the wish of the government. Eventually, Colonel Lewis moved to land west of the Mississippi that was given to the Shawnee by the American government, and there he died in 1826. Thomas Loraine McKenney (1785–1859) served as the U.S. Superintendent of Indian trade from 1816–1822 and superintendent of Indian affairs from 1824-1830. James Hall (1793–1868) was a lawyer, writer, and editor who lived in Cincinnati, Ohio from 1833 until his death in 1868. Their book was illustrated with portraits from the Indian gallery in the Department of War in Washington, D. C. View on Ohio Memory.
Image ID: AL02909
Subjects: American Indians--Portraits; Shawnee Tribe; American Indian history; McKenney, Thomas Loraine, 1785-1859; Hall, James, 1793-1868
Places: Ohio
 

Description: This image is a photograph of a cabinet card portrait of a woman. The cabinet card was propped against a rail or post before the photograph was taken. The unidentified woman in the cabinet card portrait is wearing a square-necked dress or blouse. Her hair is pinned back, but a loose curl hangs down the back of her neck. The photographer may have been Reverend Henry E. Cooke (1857-1915), son of the prominent American banker and financier Jay Cooke (1821-1905). Henry E. Cooke acted as his family's historian and photographer. He created or compiled poetry, sketches, humorous anecdotes, and several thousand photographs that documented three generations of the Cooke family. Henry E. Cooke graduated from Princeton and had his first posting at Trinity Church in Manchester, New Hampshire. He later became the head of the Episcopal Church in San Francisco. After only a year, he returned to Ohio and eventually became head of the Church in Cleveland, Ohio. He married Esther Clarkson Russell (1863-1945) and had two children, Henry Eleutheros Cooke (Harry) and Russell Cooke. Gilbert & Bacon, the portrait studio established by Philadelphia photographers Charles M. Gilbert (b. ca. 1848) and William F. Bacon (ca. 1843-1900), operated ca. 1874-ca. 1929. The firm specialized in celebrity portraiture and photographed actors, baseball players, and members of high society. Following the death of Bacon in 1900, the firm continued in business under the management of Gilbert and Bacon's son Frank T. into the early 20th century. View on Ohio Memory.
Image ID: AL06292
Subjects: Cabinet photographs; Studio portraits; Portraits; Cooke, Jay, 1821-1905; Family history
 

Description: First portrait to be labelled George Fox. It was engraved and published in 1799. When the National Portrait Gallery examined the engraving in 1932, they said the painting from which it was made was probably done in the latter part of the 18th century. George Fox, born in England in July of 1624 was an English dissenter of religion and politics. He became the founder of the Society of Friends. He died on January 13, 1691 and was buried in the Nonconformists' burying ground at Bunhill Fields in London, England. View on Ohio Memory.
Image ID: AL07934
Subjects: Portraits; Quakers; Society of Friends;
Places: London (England)
 

Description: This is a photograph of a crayon drawing by Francis Place (1647-1728). Francis Place was an English gentleman, potter, engraver and print maker. In 1680 he became interested in art. William Penn was born on October 14, 1644 in London, England. He was the founder of the Province of Pennsylvania after he had become a Quaker. The King of England granted Penn 45,000 square miles of land, making him the land owner of the largest tract of land in the world. He granted the land to Quakers and other persecuted religious people. William Penn returned to England. He died on July 30, 1715 near Twyford in Berkshire, England President Ronald Reagan madeWilliam Penn an honorary citizen of the United States of America November 28, 1984. View on Ohio Memory.
Image ID: AL07935
Subjects: Quakers; Drawings (visual works); Portraits; Artists; Penn, William, 1644-1718
 

Description: Taken from an engraving that is the earliest published portrait of William Penn. Drawn in 1770 in Phladelphia. He was the founder of the Province of Pennsylvania after he had become a Quaker. The King of England granted Penn 45,000 square miles of land, making him the land owner of the largest tract of land in the world. He granted the land to Quakers and other persecuted religious people. William Penn returned to England. He died on July 30, 1715 near Twyford in Berkshire, England. President Ronald Reagan made William Penn an honorary citizen of the United States of America on November 28, 1984. View on Ohio Memory.
Image ID: AL07936
Subjects: Quakers; Drawings (visual works); Portraits; Artists; Penn, William, 1644-1718
Places: Philadelphia (Pennsylvania)
 

Description: This image is a photograph of a drawing of Morrison R. Waite, 1890. The portrait depicts Waite (1816-1888) as a dignified older man wearing his jurist's robe. At the bottom of the portrait is a handwritten signature ("M.R. Waite") and near the subject's ringed left hand is the artist's signature ("Max Rosenthal, Phila [illegible] 90"). Waite to the left his home state of Connecticut to practice law in northwestern Ohio. He ran twice unsuccessfully for the U.S. Senate and spent one term in the state legislature. Waite later declined a seat on the Ohio Supreme Court. In 1871, U.S. President Ulysses S. Grant selected Waite to help settle claims with Great Britain that arose from the American Civil War. Waite's legal skills helped the United States obtain almost $16 million from Great Britain for that nation's support of the Confederacy during the Civil War. Upon returning to the United States, Waite participated in the Ohio Constitutional Convention of 1873 and was selected to be the convention's president. While serving at the Constitutional Convention, Waite received word that President Grant had nominated him to be Chief Justice of the United States Supreme Court. Waite served as chief justice for the next fifteen years. Max Rosenthal (1833-1918) was a painter, lithographer, etcher, and draftsman born in Russian Poland, He emigrated to the U.S. in 1849. He is one of four Rosenthal brothers who founded a lithographic printing company in Philadelphia. Max was the firm’s primary artist. He is believed to have illustrated some of the earliest books produced in the U.S. that used the chromolithograph process. During his career he produced hundreds of portraits of eminent Americans and Britons. His son, Albert Rosenthal, was also a noted artist. View on Ohio Memory.
Image ID: AL05831
Subjects: Waite, Morrison R. (Morrison Remick), 1816-1888; Rosenthal, Max, 1833-1918; Portraits; Supreme Court justices; Ohio History--State and Local Government
 

Description: This 1867 portrait of young Nathaniel W. Lord was painted by artist James Henry Beard (1814-) in Cincinnati, Ohio. Chin in hand, the boy is seated behind a large black-and-white dog in an outdoor setting. The boy's left hand rests on top of the animal's head. A dark, rather ominous-looking sky looms in the background. Nathaniel Wright Lord (1854-1911) became a professor of metallurgy and mineralogy and the first dean of the College of Engineering at The Ohio State University. After his death in May 1911, the university named the School of Mines building after him, which is known as Lord Hall. The subject's father, Henry Clark Lord, was the president of the Lafayette, Indianapolis and Cincinnati Railroad. Traveling between Cincinnati and New York, Beard was then making his name as "The Landseer of America. This photograph of the painting was taken after conservation. James Henry Beard (1812-1893) was a 19th-century American artists who specialized in portraits. Born in Buffalo, New York, Beard was a boy when his family moved to Painesville, Ohio. He was a self-taught artist and worked as a traveling portrait painter for several years. He settled in Cincinnati in 1834 but moved to New York City in 1846. He was inducted into the National Academy of Design in 1872. He died in 1893 in Flushing, Queens. View on Ohio Memory.
Image ID: AL05871
Subjects: Cultural Ohio--Education; Lord, Nathaniel Wright, 1854-1911; Beard, James Henry, 1812-1893; Lord, Nathaniel Wright, 1854-1911; Portraits; Paintings
Places: Cincinnati (Ohio); Hamilton County (Ohio)
 

Description: This is a lithograph of an oil painting of Red Jacket, Chief of the Wolf Clan of the Seneca Tribe, published in volume one of "History of the Indian Tribes of North America" by Thomas Loraine McKenney and James Hall. Red Jacket, or Sagoyewatha, allied with the British and fought in the American Revolutionary War (1775-1783), and was nicknamed Red Jacket after the British honored him with an embroidered red jacket for his service. Red Jacket died in 1830. Thomas McKenny served as the United States Superintendent of Indian Trade in 1821 and commissioned portraits of American Indian leaders who visited Washington D.C. to negotiate treaties with the United States federal government in order to to preserve the memory and history of America's native peoples. After the paintings were completed, he commissioned lithographs of the 300 paintings and compiled them into three volumes of "History of the Indian Tribes of North America" where a short biography accompanied each portrait. The paintings were housed at the Smithsonian Institution Building, commonly referred to as the Castle, and in 1868 all but five were destroyed in a devastating fire. View on Ohio Memory.
Image ID: V970_97M199h_v1_p005_RedJacket
Subjects: American Indian history; American Indians--Portraits; American Indian tribal leaders; Iroquois Confederacy; American Revolutionary War, 1775-1783
Places: Washington D.C.
 

Description: This is a lithograph of an oil painting of Cornplanter (Kiontwogky), also called John O'Bail III (alternate spellings include O'Beel or Abeel), chief of the Seneca Tribe, published in volume one of "History of the Indian Tribes of North America" by Thomas Loraine McKenney and James Hall. Around 1732, Cornplanter was born to a Gah-hon-no-nah, a Seneca woman, and Johannes Abeel Jr., a Dutch fur trader. Cornplanter fought in alliance with the British during the French and Indian War (1754-1763) and the Revolutionary War (1775-1783). He also served as a diplomat between the United States and American Indian nations after the Revolutionary War, participated in post-war negotiations, and signed the Treaty of Fort Stanwix in 1784. He replaced Red Jacket as chief in 1791. Thomas McKenny served as the United States Superintendent of Indian Trade in 1821 and commissioned portraits of American Indian leaders who visited Washington D.C. to negotiate treaties with the United States federal government in order to to preserve the memory and history of America's native peoples. After the paintings were completed, he commissioned lithographs of the 300 paintings and compiled them into three volumes of "History of the Indian Tribes of North America" where a short biography accompanied each portrait. The paintings were housed at the Smithsonian Institution Building, commonly referred to as the Castle, and in 1868 all but five were destroyed in a devastating fire. View on Ohio Memory.
Image ID: V970_97M199h_v1_p174_KiOnTwogKy
Subjects: American Indian history; American Indians--Portraits; American Indian tribal leaders; Iroquois Confederacy; American Revolutionary War (1775-1783)
Places: Washington D.C.
 

Description: This is a lithograph of an oil painting titled "Chippeway Squaw" published in volume one of "History of the Indian Tribes of North America" by Thomas Loraine McKenney and James Hall. This lithograph shows a Chippeway woman, or Ojibwe (alternate spellings include Chippewa and Ojibwa), carrying her baby on her back in a cradleboard. The term "squaw" is an English word borrowed from the Algonquian word for woman. However, "squaw" has historically been used in a diminutive manner or as a racial epithet for an American Indian woman. Today, and throughout its history of being used by non-native peoples, "squaw" is offensive for many American Indians. Thomas McKenny served as the United States Superintendent of Indian Trade in 1821 and commissioned portraits of American Indian leaders who visited Washington D.C. to negotiate treaties with the United States federal government in order to to preserve the memory and history of America's native peoples. After the paintings were completed, he commissioned lithographs of the 300 paintings and compiled them into three volumes of "History of the Indian Tribes of North America" where a short biography accompanied each portrait. The paintings were housed at the Smithsonian Institution Building, commonly referred to as the Castle, and in 1868 all but five were destroyed in a devastating fire. View on Ohio Memory.
Image ID: V970_97M199h_v1_p198_ChippewaySquaw
Subjects: American Indian history; American Indians--Portraits; American Indian women; Ohio Women; Mothers and children
Places: Washington D.C.