Description: This photograph is a black-and-white image of a colorful mural titled "Pioneers Crossing the Ohio River," painted in 1941 by artist Michael Loew (1907-1985). The mural depicts a group of pioneers, a covered wagon, and an ox crowded together on a raft. Behind them is a body of water with hills in the background. From the rear, several men are using long poles to propel the raft forward, while in the front a young man is pulling on a rope with all of his strength to move the raft forward. Several women, one of whom is holding an infant, are grouped in the center next to the wagon, ox, a plow, and yoke. The mural, painted in oil on canvas, is located in the former post office building in Amherst, Ohio. It measures 4-1/8 feet high by 14 feet long. The mural was funded by the U.S. Department of the Treasury’s Section of Painting and Sculpture, one of the department’s three visual arts programs instituted during the Great Depression. Established in 1934, the Section of Painting and Sculpture commissioned artists to create paintings and sculpture that would decorate new federal buildings. The commissions were awarded competitively. Unlike other cultural programs of the New Deal, the Section’s primary goal was to procure art for public buildings, not to provide work relief. Born in New York City, artist Michael Loew was an abstract expressionist whose early works were representational, including the murals he painted for the Treasury Department’s Section of Painting and Sculpture. He studied at the Art Students League from 1926-1929 and worked as a stained-glass artist. He studied art in Paris from 1929-1930. In 1939 he had painted murals for the New York World’s Fair with his close friend and fellow artist, Willem de Kooning. By this time his style was shifting toward abstract expressionism. After serving in the U.S. Navy during World War II, Loew studied at the Hans Hofmann School of Fine Art from 1947-1949 and at the Atelier Fernand Leger from 1949-1950. Between 1956 and 1966, he taught painting at the Portland (Oregon) Art Museum, University of California at Berkeley, and at the School of Visual Arts in New York. In 1988 photographer Connie Girard took color and black-and-white images of this mural for an article in "Timeline" magazine (June/July 1989). View on Ohio Memory.
Image ID: AL04494
Subjects: Mural paintings (visual works); Post office buildings--Ohio; United States. Works Progress Administration; United States. Department of the Treasury. Section of Painting and Sculpture; Loew, Michael, 1907-1985; Great Depression and the New Deal
Places: Amherst (Ohio); Lorain County (Ohio)
 

Description: This is a photograph of a painting on a window somewhere in Ohio. The painting is of a pirate standing on a beach with a treasure chest on the shore and the ship in the distance. View on Ohio Memory.
Image ID: SA1039AV_B13F12_028_001
Subjects: Painting; Storefronts; Windows in art; Ohio--History--Pictorial works; Federal Writers' Project.
Places: (Ohio)
 

Description: A photograph a painters on a scaffold, painting a ceiling. View on Ohio Memory.
Image ID: SA1039AV_B15F03_018_01
Subjects: Painting; House painting
Places: Ohio
 

Description: Portrait of John S. Rarey (1827-1866) and his horse, Cruiser was painted by Miner K. Kellogg (1814-1889). This photograph of the painting was taken before its restoration. The canvas has numerous tears and blemishes. The three-quarter-length portrait shows Rarey standing and wearing a dark suit and tie. Cruiser (1852-1875) is standing to his right. The horse's head rests just above Rarey's right shoulder. Rarey's right hand is reaching under the horse's neck, while his left is at his side holding a leather strap. Over Rarey's left shoulder is an American flag. The painting is signed by the artist and dated 1860. A native of Groveport, Ohio, Rarey gained international fame using kindness, firmness, and patience to train previously unmanageable horses. His innovative methods captured international attention and secured him invitations to tour Europe, Canada, and Russia. In a legendary demonstration, Rarey tamed a vicious horse named Cruiser in three hours and was given the animal as a reward. He then went on to exhibit Cruiser and his techniques throughout the United States and Europe. Miner K. Kellogg was born in Manlius, New York, but moved to Cincinnati, Ohio, with his family as a young boy. Kellogg was known for his portraits, landscapes, and religious scenes, and for arranging art exhibitions. His portraits of famous men include those of Presidents Washington, Jackson, Van Buren, Polk, and Garfield, General Winfield Scott, and Sir Stratford Canning. In the 1850s Kellogg traveled and painted in Europe and the Near East. Kellogg became an art collector of considerable discernment. He died in Toledo, Ohio. Rarey and Kellogg met in England in 1860 while both were at the pinnacle of their careers; Kellogg painted the portrait at that time. View on Ohio Memory.
Image ID: AL05935
Subjects: Painting; Rarey, John Solomon, 1827-1866; Kellogg, Miner K. (Miner Kilbourne), 1814-1889; Artists--Ohio--Cincinnati; Art--Conservation and restoration; Horses--Training
Places: England
 

Description: Dated May 4, 1936, this photograph shows Federal Art Project (FAP) artists painting murals in a classroom in Cincinnati, Ohio, in Hamilton County. The Federal Art Project was the visual arts arm of the Great Depression-era Works Progress Administration. This photograph is one of the many visual materials collected for use in the Ohio Guide. In 1935, President Franklin D. Roosevelt established the Works Progress Administration by executive order to create jobs for the large numbers of unemployed laborers, as well as artists, musicians, actors, and writers. The Federal Arts Program, a sector of the Works Progress Administration, included the Federal Writers’ Project, one of the primary goals of which was to complete the America Guide series, a series of guidebooks for each state which included state history, art, architecture, music, literature, and points of interest to the major cities and tours throughout the state. Work on the Ohio Guide began in 1935 with the publication of several pamphlets and brochures. The Reorganization Act of 1939 consolidated the Works Progress Administration and other agencies into the Federal Works Administration, and the Federal Writers’ Project became the Federal Writers’ Project in Ohio. The final product was published in 1940 and went through several editions. The Ohio Guide Collection consists of 4,769 photographs collected for use in Ohio Guide and other publications of the Federal Writers’ Project in Ohio from 1935-1939. View on Ohio Memory.
Image ID: SA1039AV_B03F14_001_1
Subjects: Mural painting and decoration--Ohio; Education; Federal Art Project; Works Progress Administration
Places: Cincinnati (Ohio); Hamilton County (Ohio)
 

Description: Artist Emerson Burkhart painting a mural at OSU in Stillman Hall. There are 10 murals on the fourth floor. They were originally painted for the Social Work Library in 1939. View on Ohio Memory.
Image ID: AL06892
Subjects: Ohio State University--Pictorial works; Mural painting and decoration; mural paintings (visual works)
Places: Columbus (Ohio); Franklin County (Ohio)
 

Description: This photograph is a black-and-white image of a colorful mural titled "Mail—The Connecting Link’," painted in 1938 by artist Sally F. Haley (1908-2007). The mural depicts the significant role that mail (and the postal service) plays in the life of individuals and of the entire nation. Three human figures (a mail carrier, a woman, and a little girl) occupy the center of the image, forming a triangular space that divides the background between urban and rural settings. The mail carrier is delivering a letter to the woman as the little girl watches. Bags of mail travel to distant locations via trains (rural areas and small towns) and boats (large urban areas). On the left side the mural, a railroad signal bears the number “1938,” the year that Haley painted the mural. The mural, painted in oil on canvas, is located in the McConnelsville, Ohio, post office. It measures 5 feet high by 17 feet wide. The mural was funded by the U.S. Department of the Treasury’s Section of Painting and Sculpture, one of the department’s three visual arts programs instituted during the Great Depression. Established in 1934, the Section of Painting and Sculpture commissioned artists to create paintings and sculpture that would decorate new federal buildings. The commissions were awarded competitively. Unlike other cultural programs of the New Deal, the Section’s primary goal was to procure art for public buildings, not to provide work relief. Born in Bridgeport, Connecticut, Sally Haley was the daughter of Elizabeth Akers Haley and John P. Haley, a portrait photographer. John Haley was a friend of photographers Alfred Stieglitz and Edward Steichen. Two of Sally’s brothers also became artists. In 1931, Sally Haley graduated from Yale University with a bachelor of fine arts degree. She taught art in a Bridgeport high school for two years, studied art in Germany for a few months, and then returned to the U.S. to paint full time. In 1935 she married artist Michele Russo, and the couple lived in Connecticut until 1947, when they moved to Portland, Oregon. Haley was very active in the Portland art scene, and her paintings were widely praised. She died in 2007 at age 99. In 1988 photographer Connie Girard took color and black-and-white images of this mural for an article in "Timeline" magazine (June/July 1989). View on Ohio Memory.
Image ID: AL04495
Subjects: Mural paintings (visual works); Post office buildings--Ohio; United States. Department of the Treasury. Section of Painting and Sculpture; Great Depression and the New Deal; McConnelsville (Ohio)
Places: McConnelsville (Ohio); Morgan County (Ohio)
 

Description: This photograph is a black-and-white image of a colorful mural titled "Drift toward Industrialism,” painted in 1937 by artist Karl Anderson (1874-1956). The mural, also known as “Exodus to the Cities,” is located in the former post office building in Bedford, Ohio. The building now houses the offices of Doty & Miller Architects, 600 Broadway Avenue. As seen in the photograph, the mural surrounds an office door. The mural portrays the widespread migration of workers, families, and young people from small towns and rural areas to large industrial cities during the late 19th century. In the lower left corner, a bearded farmer stands behind a horse-drawn plow and raises his right arm in farewell to the stream of people headed toward a cityscape visible in the background. A young girl clutches her mother’s arm and looks back at the place she is leaving and to which she’ll probably never return. An older mother embraces her daughter while an elderly man dressed in a Civil War uniform sits morosely on the sidelines. Karl Anderson was born Carl James Anderson in Morning Sun, Ohio. His parents, Irwin M. and Emma Anderson, and their family of seven children lived in various communities in the state but eventually settled in Clyde (Sandusky County). Karl’s younger brother Sherwood, the noted American author, based his famous short-story collection "Winesburg, Ohio" on his memories of life in Clyde. Karl Anderson became a noted painter, illustrator, and engraver. The mural was funded by the U.S. Department of the Treasury’s Section of Painting and Sculpture, one of the department’s three visual arts programs instituted during the Great Depression. Established in 1934, the Section of Painting and Sculpture commissioned artists to create paintings and sculpture that would decorate new federal buildings. The commissions were awarded competitively. Unlike other cultural programs of the New Deal, the Section’s primary goal was to procure art for public buildings, not to provide work relief. The post office in West Haven, Connecticut, features the second of two murals that Karl Anderson created for the program. Anderson died in 1956 in Westport, Connecticut, where he had lived since 1912. Nicknamed “the Dean of Westport Painters,” he was part of the thriving arts community there. In 1988 photographer Connie Girard took color and black-and-white images of this mural for an article in "Timeline" magazine (June/July 1989). View on Ohio Memory.
Image ID: AL04496
Subjects: Anderson, Karl, 1874-1956; Mural paintings (visual works); Post office buildings--Ohio; United States. Department of the Treasury. Section of Painting and Sculpture; Great Depression and the New Deal; Cuyahoga County (Ohio)
Places: Bedford (Ohio); Cuyahoga County (Ohio)
 

Description: This photograph is a black-and-white image of a colorful mural titled "New London Facts,” completed in 1941 by artist Lloyd R. Ney (1893-1965). The oil-on-canvas mural, which measures 5 feet high by 14 feet wide, is located in the New London, Ohio, post office. The mural was funded by the U.S. Department of the Treasury’s Section of Painting and Sculpture (the "Section"), one of the department’s three visual arts programs instituted during the Great Depression. Established in 1934, the Section commissioned artists to create paintings and sculpture that would decorate new federal buildings. The commissions were awarded competitively. Unlike other cultural programs of the New Deal, the Section’s primary goal was to procure art for public buildings, not to provide work relief. Ney went to New London to learn as much as possible about the town, its history, and residents. Although Ney favored Modernism, he decided to forego a purely nonobjective design in favor of one that incorporated recognizable places, people, and objects as well as abstractions. A boldly outlined center triangle divides the mural into three sections. The individual sections and the overall mural functions as a montage of images. The triangle’s design, which includes an eye, is reminiscent of the Great Seal of the United State. Painter and sculptor Lloyd Raymond (“Bill”) Ney) was born in Friedensburg, Pennsylvania, the only child of Sadie Maidenford and William Ney. As a young child he showed a passion for art but had no formal training until he left high school in 1913 to study in Philadelphia and later in Europe at the end of World War I. While studying abroad, he became acquainted with influential Modernist painters, and his style became progressively more abstract throughout the rest of his life. He left Paris in 1925 and moved to New Hope, Pennsylvania, where he joined a thriving community of modernist artists. In 1939, Ney was awarded a commission from the U.S. Department of the Treasury’s Section of Painting and Sculpture (the “Section”) to paint a mural for the New London, Ohio, post office. When upper-level Section officials saw Ney’s preliminary sketches for the mural, they were upset by what they termed his “abstract” style and quickly rejected his design. Ney fought hard for his concept and enlisted the help of the New London community, whose outpouring of support convinced the Section to approve Ney’s design in 1940. The mural was completed and installed in the New London post office in 1941. Lloyd Ney died in New Hope, Pennsylvania, in 1965. In 1988 photographer Connie Girard took color and black-and-white images of this mural for an article in "Timeline" magazine (June/July 1989). View on Ohio Memory.
Image ID: AL04497
Subjects: Ney, Lloyd Raymond, 1893-1965; New London (Ohio); Mural paintings (visual works); Post office buildings--Ohio; United States. Department of the Treasury. Section of Painting and Sculpture; Great Depression and the New Deal
Places: New London (Ohio); Huron County (Ohio)
 

Description: This photograph is a black-and-white image of a colorful mural titled "Romance of Steel, Old,” created in 1938 by artist Glenn Moore Shaw (1891-1981). The oil-on-canvas mural, which measures 7 feet high by 16-1/8 fee feet wide, is located in the Warren, Ohio, post office. This painting is paired with a second mural, “Romance of Steel, Modern,” which hangs directly below the first. Together the murals convey both the progression of steel manufacturing technology and the hard physical labor that produced the valuable alloy. Shaw depicts a group of eight steelworkers engaged in various tasks: grasping red-hot metal with long-handled tongs, using shovels to keep the furnace burning at the right temperature, and controlling the furnace door. The mural was funded by the U.S. Department of the Treasury’s Section of Painting and Sculpture (the “Section”), one of the department’s three visual arts programs instituted during the Great Depression. Established in 1934, the Section commissioned artists to create paintings and sculpture that would decorate new federal buildings. The commissions were awarded competitively. Unlike other cultural programs of the New Deal, the Section’s primary goal was to procure art for public buildings, not to provide work relief. Glenn Moore Shaw was born in Olmstead Falls, Ohio. After graduating high school he attended the Cleveland School of Art (now the Cleveland Institute of Art). He married fellow art student Elsa Vick in 1917 and joined the faculty of his alma mater in 1922. He was head of the school’s mural department from 1937 to 1957, when he retired. During his career he painted more than 60 murals. He and Mrs. Shaw moved to Arizona in 1968. He died in Sun City in 1981. In 1988 photographer Connie Girard took color and black-and-white images of this mural for an article in "Timeline" magazine (June/July 1989). View on Ohio Memory.
Image ID: AL04498
Subjects: Mural paintings (visual works); Post office buildings--Ohio; United States. Department of the Treasury. Section of Painting and Sculpture; Great Depression and the New Deal; Warren (Ohio)
Places: Warren (Ohio); Trumbull County (Ohio)
 

Description: This is a photograph of a mural titled "Working Cartoon." The plaque under the mural reads: "One Half Size WORKING CARTOON. Mural to be installed in the Woodhill Homes by the Ohio WPA Art Program for the Cleveland Housing Authority. Artist Leroy Flint The mural depicts working men and women at home, working at factories, and farming. Leroy Flint was born in 1909 in Ashtubula, Ohio and died in Akron, Ohio in 1991. He was educated at the Cleveland School of Art and was known for abstract genre, figures and printmaking. Posing in the photograph is artist Louis Grebenak. View on Ohio Memory.
Image ID: SA1039AV_B12F09_007_001
Subjects: Mural painting and decoration--Ohio--Cleveland; Federal Art Project; Mural painting and decoration--United States; Murals--1930-1950; Cartoons; Ohio--History--Pictorial works; Federal Writers' Project
Places: Cleveland (Ohio); Cuyahoga County (Ohio)
 

Description: Original description reads: "Panel depicting tropical undersea life, one of a series of six, representing various stages of organic evolution, painted in the spring of 1936 by the W.P.A. Federal Art Project of Dayton, Ohio. These panels, 35" x 30" and executed in oils will be framed by a class in Manual Training and presented to the schools in the fall of 1936." The Federal Art Project (FAP) was the visual arts arm of the Great Depression-era Works Progress Administration. On April 8, 1935, the United States Congress passed the Emergency Relief Appropriation Act, part of President Franklin Delano Roosevelt's New Deal, which was hoped would allow Americans to cope with the Great Depression. Creation of the Works Progress Administration (WPA) was the most important accomplishment of this Act. This government office hired unemployed Americans to work on various government projects. During its existence, the WPA constructed more than 600,000 miles of roads and built or repaired more than 124,000 bridges, 125,000 public buildings, 8,000 parks, and 850 airport runways. The WPA also included programs to support education and the arts, providing employment opportunities for out of work educators and artists of all varieties. Although the United States Congress reduced funding for the program in 1939, the WPA remained in operation until June 30, 1943. View on Ohio Memory.
Image ID: SA1039AV_B12F09_018_001
Subjects: Painting--Ohio--Dayton; Evolution (Biology)--Pictorial works--Ohio--Dayton; Federal Art Project; United States. Works Progress Administration
Places: Dayton (Ohio); Montgomery County (Ohio)